He wields his power to suppress the lower class by controlling the basic essentials for a decent life, like oxygen, all of which is represented by the mutants of Mars, a lovely David Cronenberg contribution.
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Investigating its origins reveals the manipulation of a major corporation by the wealthy elitist Cohaagen (Ronny Cox). Arguably, the visit to Rekall, a company that implants fake memories, accidentally makes him conscious of this illusion. Quaid is a regular Joe suddenly growing apathetic at the monotony in his bourgeoisie existence, possibly feeling it's all just an illusion. Most fascinating are a class struggle theme and secret desires for a meaningful life cleverly underscoring the violent mayhem moving the plot. A man is defined by his actions, not his memory."Īside from the nostalgic fondness, the script by Dan O'Bannon and Ronald Shusett, the same pair that penned another sci-fi classic in Alien, also landed with some highly intriguing concepts. From being one of the last to see large-scale use of miniatures to lifelike animatronics like Schwarzenegger's memorable disguise at the Mars terminal, Total Recall is ultimately one of the last great Hollywood blockbusters to be made in what we can now affectionately call old-fashioned or classic practical effects, which ironically includes the gruesome violence. At the time, the visual and practical effects by Rob Bottin were thought of as ground-breaking and excitedly innovative. Even more significant is the film erupting on screens right at the cusp of the CGI furor, completely revolutionizing the filmmaking industry forever. This is when the hesitation from major studios for big-budgeted, ultra-violent, hard R-rated movies started growing. We can laugh at the gleefully cartoonish sequence today, but Total Recall originally released at the peak of a public outcry concerning the amount of violence in movies.
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Some poor schlub is used as a human shield by our soon-to-be hero, and the blood squibs are massive, leaving behind big gaping holes in the clothing of the stunt performers.
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Take the escalator scene, for example, fairly early on after Arnold Schwarzenegger's Doug Quaid learns his comfortable middle-class life is a sham. The current slate of comic-book adaptations aimed at adult audiences falls embarrassingly short of some good-ole Verhoeven gruesomeness. These types of actioners aren't made nearly as often anymore, or at least not to the extent that Verhoeven exaggerated and relished in the violence. Watching it again for the n'teenth time, I'm always reminded of that bygone era of wonderfully gory R-rated movies from the 80s and the early 90s. The box-office hit of 1990 may not be up to the sheer brilliance or as intellectually perceptive of the human condition as Ridley Scott's Blade Runner, but this ultra-violent sci-fi spectacular still comes with a good deal of smarts and even plays an important role in the history of filmmaking. Dick nerd, so that could have something to do with my cinematic love-affair with this flick.
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And in case you're wondering, I'm also a Phillip K. In fact, I love most of the films by the Dutch filmmaker, and this now-classic actioner has been dearly beloved ever since I first watched it in cinemas. Your whole life is just a dream."Īs the score makes abundantly clear, I absolutely love Paul Verhoeven's wildly bonkers, Total Recall.